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Franco Nero

Franco Nero

Birthday: 23 November 1941, San Prospero Parmense, Emilia-Romagna, Italy
Birth Name: Francesco Clemente Giuseppe Sparanero
Height: 180 cm

Blue-eyed and well-built Italian actor in international cinema, Franco Nero, was a painting photographer when he was discovered as an actor by director John Huston. He has since appeared in more than ...Show More

Franco Nero
[on his two-month stint at acting school] They wanted to *teach* me to act. But to act is natural. I Show more [on his two-month stint at acting school] They wanted to *teach* me to act. But to act is natural. It is ten percent acting and ninety percent being smart. Hide
on 11/27/1978] I was working as a set photographer on [Dino De Laurentiis'] The Bible: In the Beginn Show more on 11/27/1978] I was working as a set photographer on [Dino De Laurentiis'] The Bible: In the Beginning... (1966). Director John Huston had seen a photo of me and said, "That's the face I want". Hide
[to Tomas Milian after being asked why he was wearing heavy make-up for Vamos a matar, compañ Show more [to Tomas Milian after being asked why he was wearing heavy make-up for Vamos a matar, compañeros (1970)] You know why? Because when I am very old, when I am fifty, the audience will always see me in the same way. I will look like I never aged because I'm going to be an actor forever. Hide
I am the busiest actor. Why? Because an actor either decides he wants to be a star and play the same Show more I am the busiest actor. Why? Because an actor either decides he wants to be a star and play the same role over and over, or be an actor and change all the time. Hide
[interview in Toronto Globe and Mail, 11/12/1982] I would speak to Vanessa's [Vanessa Redgrave] fath Show more [interview in Toronto Globe and Mail, 11/12/1982] I would speak to Vanessa's [Vanessa Redgrave] father [Sir Michael Redgrave], or Laurence Olivier or John Gielgud, and they told me that, at a certain point, I had to make a choice. I could be a star and maybe make lots of money, or I could change roles all the time and have a more interesting--and longer--career. People will criticize you, they said, but if you keep changing, you'll win in the end. Hide
[to L.A. Times columnist Roderick Mann] If you're a big Hollywood star, you make one movie a year at Show more [to L.A. Times columnist Roderick Mann] If you're a big Hollywood star, you make one movie a year at the most. I can make five in Europe. Hide
[on the cultural impact of Django (1966)] I had no idea it would turn out to be so special. It wasn' Show more [on the cultural impact of Django (1966)] I had no idea it would turn out to be so special. It wasn't just a success; it was a phenomenon. Everywhere I go people shout "Django" at me. Even today, as I am working in Brazil, kids call me Django. In Japan, they won't even put my name on movie posters, they put "Django". In Germany, they call all my movies "Django"; I did a great movie about the Sicilian mafia [Il giorno della civetta (1968)] and they called it "Django in the Mafia". [Il cacciatore di squali (1979)] they called "Django Django". They say: "Well, it's your problem." Hide
Franco Nero's FILMOGRAPHY
as Actor (58)
Franco Nero Franco Nero'S roles
Gen. Ramon Esperanza
Gen. Ramon Esperanza

Uncle Topolino
Uncle Topolino

Ditob
Ditob

Amerigo Vessepi
Amerigo Vessepi

Cole
Cole

Gomovies